Enter the Movies

 “Can you find the wolves in this picture?”      Martin Scorsese’s Killers of the Flower Moon is, on the surface, not at all like a typica...

Roger Ebert opened his review of Cloud Atlas by saying “Even as I was watching ‘Cloud Atlas’ the first time, I knew I would need to see it a...

Okay, I finally did it. I’ve been telling myself for a good 10-15 years that I was going to go back and do a proper write up on one of my le...

Martin Scorsese’s The Irishman is a movie that I wasn’t looking forward to. Despite Scorsese being my favorite living filmmaker, and his pre...

The coming of age movie is a favorite genre of mine. I enjoy watching characters at pivotal times in their lives try to learn how to grow, w...

Michael Keaton has been having a bit of a renaissance the last few years, with acclaimed work in Birdman, Spotlight, and Spiderman: H...

  It was good. Not great, not very good, just good. Tessa Thompson and Chris Hemsworth, reteaming after Thor: Ragnarok and Avengers: Endg...

You might’ve heard Alfonso Cuaron’s name a lot this year, as he won an obscene amount of awards, including his second Best Director Oscar,...

First Reformed nabbed Paul Schrader his first Academy Award nomination this year, for Best Original Screenplay. It was joyous and long overd...