Tuesday, November 25, 2014
Nicholson's Joker is nothing menacing and his characterization is really just a gangster who laughs too much. I watched many of his villainous things like destroying the art museum, the clown gags and whatnot thinking "Why is this guy a villain? He's not remotely frightening. Batman is scarier, and that's not how this should be working." None of the character's humor is funny, and none of his bad deeds are scary. So what is the point of him? Hugo E. Blick, who plays the young Jack Napier in flashback, was much more menacing and interesting in his seconds of screentime.
Very few things come out of the movie unscathed. Michael Keaton certainly does, and I liked him even more now than I did then. His humor comes through in the same way Kevin Conroy's did in Batman: The Animated Series (which is what this movie wanted to be, but of course the series wouldn't exist without this movie) and is a big part of what makes him great. The design of the Batmobile is just so fucking cool and so is the Batsuit and symbol. It really is awesome, and the Batplane is as well (though the cheesy ass part where he flies above the clouds just to make the Bat-symbol in the moon was cringingly bad). I liked Kim Basinger more than I expected to, seeing as I didn't remember her in the slightest going into it.
But mainly I put this movie's failings at the feet of Tim Burton and Jack Nicholson. I supposed the screenwriters as well, since they're the ones who wrote such an uninteresting villain into the main character of a Batman movie. Actually, come to think of it, a big part of it has to go to Sam Hamm and Warren Skaaren as the writers, because Batman/Bruce Wayne only becomes the main character in the second half of the movie. Up until then, he's 4th lead behind Jack, Basinger, and for God knows what reason Robert Wuhl, who is simply awful. But still, with some directorial panache the movie could've been truly impressive. Sadly, Tim Burton is a production designer and animator that has never really figured it out as a real filmmaker.
Previously I'd rate this a 4/10 or so. But I'd lower it now to a 3/10. Not as bad as the truly unwatchable sequel, but not something I will probably ever revisit.